Theory & Practice: Resource Library

ARTIST AND COMMUNITY COLLABORATION:

THEORY AND PRACTICE

UTOPIAN LONGINGS: ROMANTICISM, SUBVERSION AND DEMOCRACY IN COMMUNITY ARTS by: Laurie McGauley

Resources

A———

Adams, Don and Arlene Goldbard. Community Culture and Globalization. New York: The Rockefeller Foundation, 2002.
Adorno, Theodor W. The Culture Industry: Selected Essays on Mass Culture. New York: Routledge, 2002.
Adorno,Theodor W. Aesthetic Theory. Minnesota: University of Minnesota,1997.
Allen, Pat, B. Art is a Way of Knowing. Boston: Shambhala, 1995.
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 2003.
Appignanesi, Lisa. The Cabaret. New Haven: Yale University Press, 2004.
Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.
Augaitis, Daina, Lorne, Falk, Sylvie Gilbert and Mary Anne Moser,. Eds. Questions of Community: Artists, Audiences, Coalitions.Banff: Banff Centre Press, 1995.

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Bach, Penny Balkin. New Land Marks: Public Art, Community and the Meaning of Place. Washington: Greyson Publishing, 2001.
Badiou, Alain. Ethics: An Essay on the Understanding of Evil. New York: Verso, 2002.
Barber, Bruce, et al.Eds. Voices of Fire: Art, Rage, Power, and The State. Toronto:University of Toronto Press, 1996.
Bacon, Barbara Schaffer, et al. Animating Democracy: The Artistic Imagination as a Force in Civic Dialogue. Americans for the Arts, 1999.
Bakhtin M.M. The Dialogic Imagination: Four Essays. Auston: University of Texas Press, 1996.
Barker, Jonathan and Janice Stein. Street-Level Democracy: Political Settings at the Margins of Global Power. Toronto: Between The Lines, 1999.
Barndt, Deborah. Ed. WildFire: Art as Activism. Toronto: Sumach Press, 2006.
Barthes, Roland. Mythologies. New York: Hill and Wang, 2001.
Bauman, Zygmunt. The Individualized Society. Cambridge: Polity Press, 2003.
Bauman, Zygmunt. Community: Seeking Safety In An Insecure World. Cambridge: Polity Press, 2002.
Baudrillard , Jean: Simulacra and Simulation. Ann Arbour: University of Michigan Press, 1994.
Baudrillard, Jean The Vital Illusion. New York: Columbia University Press, 2000.
Becker, Carol. Ed. The Subversive Imagination: Artists, Society and Social Responsibility. New York: Routledge, 1994.
Becker, Carol. Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety. New York: State University of New York Press, 1996.
Becker, Carol. Surpassing the Spectacle: Global Transformations and the Changing Politics of Art. New York: Rowman & Littlefield., 2002.
Benjamin ,Walter: Illuminations: Essays and Reflections. New York. Schocken Books,1988.
Benjamin ,Walter: Reflections: Essays, Aphorisms, Autobiographical Writings: New York: HBJ, 1979.
Benson, Jarlath, F. Working More Creatively With Groups, 2nd Edition. New York: Routledge, 1997.
Beveridge, Karl and Jude Johnston. Making Our Mark: Labour Arts and Heritage in Ontario.Toronto:Between The Lines, 1999.
Bernstein, J.M. The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. The Pennsylvania State University Press, 1992.
Bishop, Claire. Participation. New York: MIT Press, 2006.
Bishop, Claire. Installation Art. New York: Routledge, 2005.
Bishop, Claire. “The Social Turn: Collaboration and its Discontents” in ArtForum Feb. 2006. http://www.artforum.com/inprint/id:10274&pagenum=0.
Blatner, Adam. Ed. Interactive and Improvisational Drama: Varieties of Applied Theatre and Performance. New York: iUniverse, Inc. 2007.
Bloch, Ernst The Spirit of Utopia. Stanford: Stanford University Press, 2000.
Bloch, Ernst. The Utopian Function of Art and Literature: Selected Essays. Cambridge:MIT Press, 1996.
Bloch, Ernst. The Principle of Hope, Vol.1. Cambridge: MIT Press, 1996.
Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, 2002.
Boal, Augusto. The Rainbow of Desire: The Boal Method of Theatre and Therapy. New York:Routledge, 1995.
Boal, Augusto. Legislative Theatre. New York: Routledge, 1998.
Boal, Augusto. Games for Actors and Non-Actors. New York: Routledge, 1994.
Bobbio, Norberto. The Future of Democracy. Minneapolis: University of Minnesota Press, 1987.
Bohm, David. On Creativity. New York: Routledge, 2004.
Bohm, David. On Dialogue. New York: Routledge, 2004.
Bokina, John and Timothy J.Lukes, Eds. Marcuse: From The New Left to The Next Left. University Press of Kansas, 1994.
Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. Berkely: University of California Press, 2003.
Borradori, Giovanna. Philosophy in a Time of Horror: Dialogues with Jürgen Habermas and Jacques Derrida. Chicago: University of Chicago Press, 2003.
Borrup, Tom. The Creative Community Builder’s Handbook: How to Transform Communities Using Local Assets, Arts and Culture. St Paul: Fieldstone Alliance, 2006.
Bourdieu , Pierre. The Field of Cultural Production: Essays on Art and Literature. New York: Columbia University Press, 1993.
Bourdieu, Pierre. Acts of Resistance: Against the Tyranny of the Market. New York: The New Press, 1998.
Bourriaud;, Nicolas. Relational Aesthetics; Paris: les presses du réel, 2002
Brecht, Stefan. The Bread and Puppet Theatre. Vol. 2. New York: Routledge, 1988.
Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and The Arcades Project.Cambridge: MIT Press, 1999.
Buck-Morss, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. New York: Free Press, 1979.
Buck-Morss, Susan. Thinking Past Terror: Islamism and Critical Theory on the Left. London: Verso, 2003.
Buck-Morss, Susan. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge: The MIT Press, 2002.
Bürger, Peter. Theory of the Avant-Garde. Minneapolis: University of Minnesota Press,1984.
Burke, Bev, Jojo Geronimo, et al. Education for Changing Unions. Toronto: Between the Lines, 2002.
Burnham, Linda Frye and Steven Durland. Eds. The Citizen Artist: 20 Years of Art in the Public Arena – An Anthology of High Performance Magazine from 1978 – 1998. New York:Critical Press, 1998.

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Castronovo, Russ and Dana D. Nelson, Eds. Materializing Democracy: Toward a Revitalized Cultural Politics. Durham: Duke University Press, 2002.
Césaire, Aimé. Discourse on Colonialism. New York: Monthly Review Press, 2000.
Chicago, Judy and Edward Lucie-Smith. Women and Art: Contested Territory. Vancouver: Raincoast Books, 1999.
Congdon, Kristin G. Community Art in Action: Art Education in Practice Series. Warchester:Davis Publications, 2004.
Corbitt,J. Nathan and Nix-Early, Vivian. Taking It To The Streets: Using the Arts to Transform Your Community. Grand Rapids: Baker Books, 2003.
Cleveland, William. Art in Other Places: Artists at Work in America’s Community and Social Institutions. Westport: Praeger, 1992.
Cleveland, William. “Mapping the Field: Arts Based Community Development”. Community Arts Network. 5 Jan.2002. http://www.communityarts.net/readingroom/archivefiles/mapping_the_fie.php
Clover, Darlene, E., Shirley Follen and Budd Hall. The Nature of Transformation: Environmental Adult Education. Toronto: New Concept, 2000.
Cohen-Cruz, Jan.Ed. Radical Street Performance: An International Anthology. New York:Routledge, 1998.
Cohen-Cruz, Jan and Mady Schutzman. Eds.Playing Boal: Theatre, Therapy, Activism. New York: Routledge, 1994.
Cohen-Cruz, Jan. Local Acts: Community Based Performance in the United States. New Brunswick: Rutgers University Press, 2005.
Cohen-Cruz, Jan and Mady Schutzman.Eds. A Boal Companion: Dialogues on Theatre and Cultural Politics. New York: Routledge, 2006.
Cooper, Mark and Lisa Sjostrom. Making Art Together: How Collaborative Art-Making Can Transform Kids, Classrooms, and Communities. Boston: Beacon Press, 2006.
Cullen, Jim. The Art of Democracy: A Concise History of Popular Culture in the United States. New York: Monthly Review Press, 1996.